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I’m a Hong Kong–raised, half French–half Chinese filmmaker and creative.

growing up with an artist for a mum and taking art all through high school, I learned early that good work comes from process: plan, research, iterate, refine. That mindset still drives how I build visuals today.
 

A big turning point was being recruited to model for BAPE. On set, I watched ideas turn into campaigns, creative direction, teamwork, tight timelines. It pulled me into the world behind the camera. I launched a small clothing brand in Hong Kong and taught myself the basics of product, visuals, and marketing. That’s when creativity and entrepreneurship clicked for me.

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At university, I joined creative associations and took on creative direction, content creation, and organization. The most intense stretch was our year-long BDE campaign: two teams of 35 competing through events and communications. I started with almost no software experience and spent one summer in deep practice operating a cinema-grade camera, lighting scenes, recording clean audio, and delivering in post with editing and color grading. There were plenty of late nights to hit posting windows, and I realised I actually enjoy shipping under pressure.

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Since then I’ve focused on filmmaking, cinematography, editing, and creative direction and on telling clear, honest stories in both short and long formats. I care about rhythm, framing, sound, and the tiny choices that make a cut feel right.​